{"title":"Artists","description":"","products":[{"product_id":"regina-cd","title":"Regina [CD]","description":"\u003cdiv\u003e\n\u003cp style=\"color: #ff0000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eAlways reaching, always stretching, Becca Stevens reinvents herself once again with Regina. In the years since the release of her critically acclaimed third album, Perfect Animal, Stevens has undertaken a journey that began with a study of Queen Elizabeth I as inspiration for a commissioned piece, which expanded into tributes to various queens from history, legend and from her personal life, songs inspired by the regal and divine, and finally Regina as a voice, like a trusted friend or an alter ego.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e, her first release on GroundUP Music, also marks the first time Stevens has record solely under her own name, instead of as the Becca Stevens Band. Stevens explains, “It’s by no means a departure from my band mates, as they are still all featured and important parts of this album and will be the ones touring the music with me, but more so inspired by a desire to open the floodgates of artistic collaboration. There are so many artists whom I’ve come across lately who inspire me greatly and whom I have the desire to write for and collaborate with. This energy of collaboration into my writing and record making process has given me more direction, and clarity of artistic vision and self-expression. It’s sort of like a painter finally painting her muse after a lifetime of painting landscapes and self-portraits.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003cspan\u003eTroy Miller\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e features creative and performance collaborations with \u003c\/span\u003e\u003cspan\u003eSnarky Puppy’s Michael League, Jacob Collier, Laura Mvula\u003c\/span\u003e\u003cspan\u003e, and the legendary \u003c\/span\u003e\u003cspan\u003eDavid Crosby\u003c\/span\u003e\u003cspan\u003e. The album was recorded in several phases – in London with Miller, a second London session with Collier (a co-producer on the album along with Stevens and League), a session with Miller in Brooklyn, NY, a session with League in Brooklyn and a final session with League and Stevens’ band mates in Brooklyn as well. Additional collaborators include Alan Hampton, Jo Lawry, and the award-winning Attacca String Quartet, as well as Stevens’ trusted band members \u003c\/span\u003e\u003cspan\u003eLiam Robinson, Chris Tordini, \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eJordan Perlson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4OBKmZVOMuk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eVenus (featuring Lara Mvula)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eLean On\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eBoth Still Here (featuring Jacob Collier)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003e45 Bucks\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eQueen Mab\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eWe Know Love\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e7.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eMercury\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e8.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eRegina\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e9.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eHarbour Hawk\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e10.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eWell Loved (featuring Laura Mvula)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e11.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eOphelia\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e12.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eThe Muse (featuring David Crosby)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e13.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eAs (featuring Jacob Collier)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Becca Stevens","offers":[{"title":"CD","offer_id":26447901136,"sku":"0017-03050","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/reg-cd.jpg?v=1492697607"},{"product_id":"regina-vinyl","title":"Regina [Vinyl]","description":"\u003cdiv\u003e\n\u003cp style=\"color: #ff0000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eAlways reaching, always stretching, Becca Stevens reinvents herself once again with Regina. In the years since the release of her critically acclaimed third album, Perfect Animal, Stevens has undertaken a journey that began with a study of Queen Elizabeth I as inspiration for a commissioned piece, which expanded into tributes to various queens from history, legend and from her personal life, songs inspired by the regal and divine, and finally Regina as a voice, like a trusted friend or an alter ego.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e, her first release on GroundUP Music, also marks the first time Stevens has record solely under her own name, instead of as the Becca Stevens Band. Stevens explains, “It’s by no means a departure from my band mates, as they are still all featured and important parts of this album and will be the ones touring the music with me, but more so inspired by a desire to open the floodgates of artistic collaboration. There are so many artists whom I’ve come across lately who inspire me greatly and whom I have the desire to write for and collaborate with. This energy of collaboration into my writing and record making process has given me more direction, and clarity of artistic vision and self-expression. It’s sort of like a painter finally painting her muse after a lifetime of painting landscapes and self-portraits.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003cspan\u003eTroy Miller\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e features creative and performance collaborations with \u003c\/span\u003e\u003cspan\u003eSnarky Puppy’s Michael League, Jacob Collier, Laura Mvula\u003c\/span\u003e\u003cspan\u003e, and the legendary \u003c\/span\u003e\u003cspan\u003eDavid Crosby\u003c\/span\u003e\u003cspan\u003e. The album was recorded in several phases – in London with Miller, a second London session with Collier (a co-producer on the album along with Stevens and League), a session with Miller in Brooklyn, NY, a session with League in Brooklyn and a final session with League and Stevens’ band mates in Brooklyn as well. Additional collaborators include Alan Hampton, Jo Lawry, and the award-winning Attacca String Quartet, as well as Stevens’ trusted band members \u003c\/span\u003e\u003cspan\u003eLiam Robinson, Chris Tordini, \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eJordan Perlson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4OBKmZVOMuk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003eSIDE 1 \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e1 - Venus\u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e2 - Lean On \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e3 - Both Still Here \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003eSIDE 2\u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e4 - 45 Bucks \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e5 - Queen Mab \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e6 - We Knew Love \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003eSIDE 3 \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e7 - Mercury \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e8 - Regina \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e9 - Harbour Hawk \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e10 - Well Loved \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003eSIDE 4 \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e11 - Ophelia \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e12 - The Muse \u003c\/div\u003e\n\u003cdiv id=\"m_-2897903293741637714m_5283203970607179677AppleMailSignature\"\u003e13 - As \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Becca Stevens","offers":[{"title":"Vinyl LP","offer_id":35185377040,"sku":"0017-06050","price":20.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/reg-lp.jpg?v=1492697653"},{"product_id":"regina-mp3-download","title":"Regina [mp3 download]","description":"\u003cdiv\u003e\n\u003cp style=\"color: #ff0000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eAlways reaching, always stretching, Becca Stevens reinvents herself once again with Regina. In the years since the release of her critically acclaimed third album, Perfect Animal, Stevens has undertaken a journey that began with a study of Queen Elizabeth I as inspiration for a commissioned piece, which expanded into tributes to various queens from history, legend and from her personal life, songs inspired by the regal and divine, and finally Regina as a voice, like a trusted friend or an alter ego.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e, her first release on GroundUP Music, also marks the first time Stevens has record solely under her own name, instead of as the Becca Stevens Band. Stevens explains, “It’s by no means a departure from my band mates, as they are still all featured and important parts of this album and will be the ones touring the music with me, but more so inspired by a desire to open the floodgates of artistic collaboration. There are so many artists whom I’ve come across lately who inspire me greatly and whom I have the desire to write for and collaborate with. This energy of collaboration into my writing and record making process has given me more direction, and clarity of artistic vision and self-expression. It’s sort of like a painter finally painting her muse after a lifetime of painting landscapes and self-portraits.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003cspan\u003eTroy Miller\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e features creative and performance collaborations with \u003c\/span\u003e\u003cspan\u003eSnarky Puppy’s Michael League, Jacob Collier, Laura Mvula\u003c\/span\u003e\u003cspan\u003e, and the legendary \u003c\/span\u003e\u003cspan\u003eDavid Crosby\u003c\/span\u003e\u003cspan\u003e. The album was recorded in several phases – in London with Miller, a second London session with Collier (a co-producer on the album along with Stevens and League), a session with Miller in Brooklyn, NY, a session with League in Brooklyn and a final session with League and Stevens’ band mates in Brooklyn as well. Additional collaborators include Alan Hampton, Jo Lawry, and the award-winning Attacca String Quartet, as well as Stevens’ trusted band members \u003c\/span\u003e\u003cspan\u003eLiam Robinson, Chris Tordini, \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eJordan Perlson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4OBKmZVOMuk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eVenus (featuring Lara Mvula)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eLean On\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eBoth Still Here (featuring Jacob Collier)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003e45 Bucks\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eQueen Mab\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eWe Know Love\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e7.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eMercury\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e8.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eRegina\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e9.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eHarbour Hawk\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e10.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eWell Loved (featuring Laura Mvula)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e11.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eOphelia\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e12.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eThe Muse (featuring David Crosby)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e13.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eAs (featuring Jacob Collier)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Becca Stevens","offers":[{"title":"Default Title","offer_id":36912579920,"sku":"digi-becca-regina-mp3","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/tumblr_static_5qt8gcjcumo8w8w0gcs0k4okk.jpg?v=1498075693"},{"product_id":"maz-flac-download","title":"Maz [FLAC Download]","description":"\u003cdiv class=\"track\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACK LISTING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e\n\u003col\u003e\n\u003cli\u003eEverything I Need\u003c\/li\u003e\n\u003cli\u003eCome On Sista\u003c\/li\u003e\n\u003cli\u003eMake Me Say\u003c\/li\u003e\n\u003cli\u003eYou're Messing My Mind\u003c\/li\u003e\n\u003cli\u003eShake\u003c\/li\u003e\n\u003cli\u003eYou're Mighty\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Maz","offers":[{"title":"Default Title","offer_id":67663921168,"sku":"digi-flac-maz","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/MAz_CD_1024x1024_723ffe28-e0fa-4702-af79-4b8e3a5720bc.jpg?v=1509129908"},{"product_id":"what-heat-vinyl","title":"What Heat [Vinyl]","description":"\u003cp\u003e\u003cstrong\u003e*** Limited Edition orange-colored vinyl currently available.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll The Way Home\u003cbr\u003eFanm\u003cbr\u003eLè An Gadé-w En Zyé\u003cbr\u003eRéparasyons\u003cbr\u003eBòd Lanmè Pa Lwen\u003cbr\u003eDon’t Do It\u003cbr\u003eChambre à Échos\u003cbr\u003eLa Maison En Feu\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003cbr\u003eThe word Bokanté means \"exchange\" in Guadeloupean Creole, the language of vocalist Malika Tirolien's childhood island. Highly appropriate for a group of musicians from 5 countries (and 4 continents) whose cultural and musical identities converge to create music that traces the blues from its roots in Africa and the Arab World, throughout the diaspora, and into a modern context.\u003cbr\u003e\u003cbr\u003eConsisting of respected bandleaders and sidemen who have achieved great success in their own individual paths (with Paul Simon, Sting, Snarky Puppy, Yo-Yo Ma, etc.), each musician's personality shines through songs that speak to the challenges and strengths of the complex socio-political environment in which we live. As a lyricist, Tirolien paints beautiful imagery and tells stories that tackle issues head on, exploring the reality of this very important - and potentially dangerous - moment in time, celebrating who we are and what we have in spite of everything, with hope (through action) for a better day. \u003cbr\u003e\u003cbr\u003eOn their new album What Heat Bokanté collaborated with Jules Buckley and the Metropole Orkest. Band member Michael League first worked with the orchestra on the Snarky Puppy album Sylva. \"This is the first album we've made together since \"Sylva\", and I believe it to be every bit as adventurous. The Metropole is a rarity in that it has the versatility and skill set to play across a wide variety of modern music styles with deep understanding. It opens up possibilities as an arranger that would not be available with other orchestras. Jules and I did our best to take full advantage of those possibilities in every way we could.\"\u003c\/p\u003e","brand":"Bokante","offers":[{"title":"Limited-Edition Orange","offer_id":31802579484808,"sku":"0017-06102","price":24.89,"currency_code":"USD","in_stock":true},{"title":"Standard","offer_id":31802579517576,"sku":"0017-06101","price":20.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/orange.png?v=1578939302"},{"product_id":"what-heat-cd","title":"What Heat [CD]","description":"\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll The Way Home\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFanm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLè An Gadé-w En Zyé\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRéparasyons\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBòd Lanmè Pa Lwen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDon’t Do It\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChambre à Échos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa Maison En Feu\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe word Bokanté means \"exchange\" in Guadeloupean Creole, the language of vocalist Malika Tirolien's childhood island. Highly appropriate for a group of musicians from 5 countries (and 4 continents) whose cultural and musical identities converge to create music that traces the blues from its roots in Africa and the Arab World, throughout the diaspora, and into a modern context.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eConsisting of respected bandleaders and sidemen who have achieved great success in their own individual paths (with Paul Simon, Sting, Snarky Puppy, Yo-Yo Ma, etc.), each musician's personality shines through songs that speak to the challenges and strengths of the complex socio-political environment in which we live. As a lyricist, Tirolien paints beautiful imagery and tells stories that tackle issues head on, exploring the reality of this very important - and potentially dangerous - moment in time, celebrating who we are and what we have in spite of everything, with hope (through action) for a better day. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn their new album What Heat Bokanté collaborated with Jules Buckley and the Metropole Orkest. Band member Michael League first worked with the orchestra on the Snarky Puppy album Sylva. \"This is the first album we've made together since \"Sylva\", and I believe it to be every bit as adventurous. The Metropole is a rarity in that it has the versatility and skill set to play across a wide variety of modern music styles with deep understanding. It opens up possibilities as an arranger that would not be available with other orchestras. Jules and I did our best to take full advantage of those possibilities in every way we could.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Bokante","offers":[{"title":"Default Title","offer_id":13663342821435,"sku":"0017-03101","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/cd.png?v=1534439937"},{"product_id":"immigrance-cd","title":"Immigrance [CD]","description":"\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cstrong\u003eIncludes instant download of IMMIGRANCE in mp3 format.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem\u003eImmigrance\u003c\/em\u003e, the new Snarky Puppy studio album, is all about movement. “The idea here is that everything is fluid, that everything is always moving and that we’re all in a constant state of immigration,” explains Michael League. “Obviously the album’s title is not without political undertones.”\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eLike\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCulcha Vulcha\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImmigrance\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a studio project, and it features most of the same musicians. And though it shares that project’s ace musicianship and dynamic, kinetic spirit, it is also more raw and moodier than its predecessor. Several of the compositions put a newfound emphasis on delivering simpler, streamlined impact. With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImmigrance\u003c\/em\u003e, Snarky Puppy is essentially practicing what it’s preached all along: People from different places can bring their various strengths and experiences, and that can be beautiful and cohesive. The band itself is a representation of that musical expression.\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cstrong\u003eTRACK LISTING\u003c\/strong\u003e\u003c\/p\u003e\n\u003col class=\"m_-2146496615152769438gmail-ol1\" style=\"color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\u003col class=\"m_-2146496615152769438gmail-ol1\"\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eChonks\u003c\/li\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eBigly Strictness\u003c\/li\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eCoven\u003c\/li\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eBling Bling\u003c\/li\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eXavi\u003c\/li\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eWhile We’re Young\u003c\/li\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eBad Kids To The Back\u003c\/li\u003e\n\u003cli class=\"m_-2146496615152769438gmail-li1\"\u003eEven Us\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e","brand":"Snarky Puppy","offers":[{"title":"Default Title","offer_id":20079649521723,"sku":"0015-03012","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/cd_grande_20389ce4-a7e4-4261-8f21-f48d25837842.png?v=1547670943"},{"product_id":"immigrance-mp3-download","title":"Immigrance [MP3 Download]","description":"\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem\u003eImmigrance\u003c\/em\u003e, the new Snarky Puppy studio album, is all about movement. “The idea here is that everything is fluid, that everything is always moving and that we’re all in a constant state of immigration,” explains Michael League. “Obviously the album’s title is not without political undertones.”\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cbr\u003eLike\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCulcha Vulcha\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImmigrance\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a studio project, and it features most of the same musicians. And though it shares that project’s ace musicianship and dynamic, kinetic spirit, it is also more raw and moodier than its predecessor. Several of the compositions put a newfound emphasis on delivering simpler, streamlined impact. With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImmigrance\u003c\/em\u003e, Snarky Puppy is essentially practicing what it’s preached all along: People from different places can bring their various strengths and experiences, and that can be beautiful and cohesive. 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And though it shares that project’s ace musicianship and dynamic, kinetic spirit, it is also more raw and moodier than its predecessor. Several of the compositions put a newfound emphasis on delivering simpler, streamlined impact. With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImmigrance\u003c\/em\u003e, Snarky Puppy is essentially practicing what it’s preached all along: People from different places can bring their various strengths and experiences, and that can be beautiful and cohesive. The band itself is a representation of that musical expression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACK LISTING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA\u003cbr\u003eChonks\u003cbr\u003eBigly Strictness\u003cbr\u003eCoven\u003cbr\u003e\u003cbr\u003eB\u003cbr\u003eBling Bling\u003cbr\u003eXavi\u003cbr\u003eWhile We're Young\u003cbr\u003e\u003cbr\u003eC\u003cbr\u003eBad Kids To The Back\u003cbr\u003eEven Us\u003c\/p\u003e\n\u003col class=\"m_-2146496615152769438gmail-ol1\" style=\"color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\u003col class=\"m_-2146496615152769438gmail-ol1\"\u003e\u003c\/ol\u003e\n\u003c\/ol\u003e","brand":"Snarky Puppy","offers":[{"title":"Default Title","offer_id":20079746121787,"sku":"0015-06008","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/vinyl_grande_e8a38710-e41c-409f-924c-885109b7e350.png?v=1547671655"},{"product_id":"immigrance-flac-download","title":"Immigrance [FLAC Download]","description":"\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem\u003eImmigrance\u003c\/em\u003e, the new Snarky Puppy studio album, is all about movement. “The idea here is that everything is fluid, that everything is always moving and that we’re all in a constant state of immigration,” explains Michael League. “Obviously the album’s title is not without political undertones.”\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cbr\u003eLike\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCulcha Vulcha\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImmigrance\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a studio project, and it features most of the same musicians. And though it shares that project’s ace musicianship and dynamic, kinetic spirit, it is also more raw and moodier than its predecessor. Several of the compositions put a newfound emphasis on delivering simpler, streamlined impact. With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImmigrance\u003c\/em\u003e, Snarky Puppy is essentially practicing what it’s preached all along: People from different places can bring their various strengths and experiences, and that can be beautiful and cohesive. 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Assisted and augmented by some of my closest musical associates, this is my attempt to document a group of songs that most genuinely reflects all sides of my musical personality. 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Someone with a natural resistance to social pressures and norms. The idea of searching for a sense of “home.” The search for someone that makes you feel \"home,” someone that represents safety and comfort. Someone who you can share and create a home with. Feeling comfortable in your own skin. \u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHomebodies \u003c\/i\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eis an album that reflects 10 years of writing and experience. From playing in bands and spending a life on the road, to breakups and lost relationships, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHomebodies\u003c\/i\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an attempt to make sense of the world. This album is a personal quest to find a voice, to feel comfortable in my own skin as an artist. While this album focuses heavily on grooves that feel good, there is also a concerted effort to push beyond what people’s preconceptions of a jazz album are, and even more importantly, its an attempt to push beyond the boundaries of who people think I am as an artist. I wanted to be sure to include some historical references in these works and as a jazz musician, I wanted to recognize the work of everyone who has devoted their lives to this music. Improvising is one of the purest forms of self expression and this album was graced by the presence of some of today’s most epic improvisers. Exploring this music was essentially a search for a home body. The compositions are the homebody for the spontaneous moments of improvisation. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e(Lee Pardini, 2020.)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTrack list: \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003ewhatsoever\u003c\/div\u003e\n\u003cdiv\u003eMain Title\u003c\/div\u003e\n\u003cdiv\u003eETA\u003c\/div\u003e\n\u003cdiv\u003eHome\u003c\/div\u003e\n\u003cdiv\u003eSibley\u003c\/div\u003e\n\u003cdiv\u003eOne Day at a Time\u003c\/div\u003e\n\u003cdiv\u003eLou\u003c\/div\u003e\n\u003cdiv\u003eLV, NV\u003c\/div\u003e\n\u003cdiv\u003eMost Fun I've Had All Week\u003c\/div\u003e\n\u003cdiv\u003eRancho\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Lee Pardini","offers":[{"title":"Default Title","offer_id":36910839103639,"sku":"digi-mp3-lee_pardini-homebodies","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Lee-Pardini_Homebodies_AlbumArt-3200.jpg?v=1602087714"},{"product_id":"homebodies-flac-download-pre-order","title":"Homebodies [FLAC Download]","description":"\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003eHomebodies - people who enjoy the peaceful quiet of home. Someone with a natural resistance to social pressures and norms. The idea of searching for a sense of “home.” The search for someone that makes you feel \"home,” someone that represents safety and comfort. Someone who you can share and create a home with. Feeling comfortable in your own skin. \u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHomebodies \u003c\/i\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eis an album that reflects 10 years of writing and experience. From playing in bands and spending a life on the road, to breakups and lost relationships, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHomebodies\u003c\/i\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an attempt to make sense of the world. This album is a personal quest to find a voice, to feel comfortable in my own skin as an artist. While this album focuses heavily on grooves that feel good, there is also a concerted effort to push beyond what people’s preconceptions of a jazz album are, and even more importantly, its an attempt to push beyond the boundaries of who people think I am as an artist. I wanted to be sure to include some historical references in these works and as a jazz musician, I wanted to recognize the work of everyone who has devoted their lives to this music. Improvising is one of the purest forms of self expression and this album was graced by the presence of some of today’s most epic improvisers. Exploring this music was essentially a search for a home body. The compositions are the homebody for the spontaneous moments of improvisation. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e(Lee Pardini, 2020.)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003eTrack list: \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003ewhatsoever\u003c\/div\u003e\n\u003cdiv\u003eMain Title\u003c\/div\u003e\n\u003cdiv\u003eETA\u003c\/div\u003e\n\u003cdiv\u003eHome\u003c\/div\u003e\n\u003cdiv\u003eSibley\u003c\/div\u003e\n\u003cdiv\u003eOne Day at a Time\u003c\/div\u003e\n\u003cdiv\u003eLou\u003c\/div\u003e\n\u003cdiv\u003eLV, NV\u003c\/div\u003e\n\u003cdiv\u003eMost Fun I've Had All Week\u003c\/div\u003e\n\u003cdiv\u003eRancho\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Lee Pardini","offers":[{"title":"Default Title","offer_id":36910947336343,"sku":"digi-flac-lee_pardini-homebodies","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Lee-Pardini_Homebodies_AlbumArt-3200_5bb8bd3e-cabe-4d2d-9651-33bf8dd3cbb3.jpg?v=1602088122"},{"product_id":"wonderbloom-cd","title":"WONDERBLOOM [CD]","description":"\u003cdiv data-mce-fragment=\"1\"\u003eSince making her debut with the 2008 album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTea Bye Sea\u003c\/i\u003e, singer\/songwriter\/multi-\u003cwbr data-mce-fragment=\"1\"\u003einstrumentalist Becca Stevens has tested the limits of musical identity, mining everything from jazz to Irish folk to indie-rock in her striving for complete and authentic expression. In her latest musical endeavor—\u003ci data-mce-fragment=\"1\"\u003eWONDERBLOOM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e—the North Carolina-bred, Brooklyn-based artist again defies all expectation, this time dreaming up a groove-heavy, dance-ready sound infused with elements of pop and funk and R\u0026amp;B. But despite its brighter textures and uptempo rhythms,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWONDERBLOOM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efinds Stevens achieving a profound complexity in her lyrics, ultimately redefining what’s possible in creating music that elevates and edifies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCentered on the captivating vocal presence she’s showcased as a member of David Crosby’s Lighthouse Band,\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWONDERBLOOM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etelegraphs an unabashed joy that Stevens partly attributes to the project’s production. In a bold new turn for her musical career, Stevens co-produced and co-engineered\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWONDERBLOOM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ealongside Nic Hard (Snarky Puppy, Ghost-Note, The Church), overseeing every aspect of the recording and claiming a sense of agency that had long eluded her in the studio.  “Nic and I truly worked as equals, trusting each other to get the job done, and it was an incredibly empowering experience for me,” she says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn another major departure, Stevens purposely brought a communal sensibility to the making of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWONDERBLOOM\u003c\/i\u003e—an undertaking that resulted in more than 40 musicians contributing to the album, including Vulfpeck guitarist Cory Wong, longtime collaborator Jacob Collier, and all of her Lighthouse bandmates (keyboardist Michelle Willis, Snarky Puppy bandleader Michael League, and David Crosby himself). “My earlier records were all written by me, arranged by me, then performed by me and my band,” says Stevens. “But going into making this one, I made a rule for myself that anytime I had the instinct to turn inward and tough it alone, to instead stay open and share the process. And each time I did that, I was rewarded tenfold by what we all created together. Even with so many collaborators, the end result feels more honest than ever.”\u003c\/wbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrack list: \u003c\/b\u003e\u003c\/div\u003e\nLow on Love\u003cbr data-mce-fragment=\"1\"\u003eI Wish (feat. Cory Wong, Justin Stanton \u0026amp; Michael League)\u003cbr data-mce-fragment=\"1\"\u003eBetween Me \u0026amp; You\u003cbr data-mce-fragment=\"1\"\u003eGood Stuff\u003cbr data-mce-fragment=\"1\"\u003eSlow Burn (feat. Jacob Collier)\u003cbr data-mce-fragment=\"1\"\u003eCharlemagne (feat. Alan Hampton)\u003cbr data-mce-fragment=\"1\"\u003eI Will Avenge You (feat. Ryan Scott)\u003cbr data-mce-fragment=\"1\"\u003eYou Didn't Know\u003cbr data-mce-fragment=\"1\"\u003eTrue Minds\u003cbr data-mce-fragment=\"1\"\u003eFeels Like This\u003cbr data-mce-fragment=\"1\"\u003eNever Mine\u003cbr data-mce-fragment=\"1\"\u003eResponse to Criticism (feat. Roosevelt Collier)\u003cbr data-mce-fragment=\"1\"\u003eHalfway (feat. Laura Perrudin)\u003cbr data-mce-fragment=\"1\"\u003eHeather's Letters to Her Mother (feat. David Crosby, Michelle Willis \u0026amp; Mike 'Maz' Maher)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Becca Stevens","offers":[{"title":"Default Title","offer_id":37307428372631,"sku":"0017-03051","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/WONDERBLOOMfinalcoverproduct.jpg?v=1610378818"},{"product_id":"regina-flac-download","title":"Regina [FLAC download]","description":"\u003cdiv\u003e\n\u003cp style=\"color: #ff0000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eAlways reaching, always stretching, Becca Stevens reinvents herself once again with Regina. In the years since the release of her critically acclaimed third album, Perfect Animal, Stevens has undertaken a journey that began with a study of Queen Elizabeth I as inspiration for a commissioned piece, which expanded into tributes to various queens from history, legend and from her personal life, songs inspired by the regal and divine, and finally Regina as a voice, like a trusted friend or an alter ego.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e, her first release on GroundUP Music, also marks the first time Stevens has record solely under her own name, instead of as the Becca Stevens Band. Stevens explains, “It’s by no means a departure from my band mates, as they are still all featured and important parts of this album and will be the ones touring the music with me, but more so inspired by a desire to open the floodgates of artistic collaboration. There are so many artists whom I’ve come across lately who inspire me greatly and whom I have the desire to write for and collaborate with. This energy of collaboration into my writing and record making process has given me more direction, and clarity of artistic vision and self-expression. It’s sort of like a painter finally painting her muse after a lifetime of painting landscapes and self-portraits.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003cspan\u003eTroy Miller\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eRegina\u003c\/span\u003e\u003cspan\u003e features creative and performance collaborations with \u003c\/span\u003e\u003cspan\u003eSnarky Puppy’s Michael League, Jacob Collier, Laura Mvula\u003c\/span\u003e\u003cspan\u003e, and the legendary \u003c\/span\u003e\u003cspan\u003eDavid Crosby\u003c\/span\u003e\u003cspan\u003e. The album was recorded in several phases – in London with Miller, a second London session with Collier (a co-producer on the album along with Stevens and League), a session with Miller in Brooklyn, NY, a session with League in Brooklyn and a final session with League and Stevens’ band mates in Brooklyn as well. Additional collaborators include Alan Hampton, Jo Lawry, and the award-winning Attacca String Quartet, as well as Stevens’ trusted band members \u003c\/span\u003e\u003cspan\u003eLiam Robinson, Chris Tordini, \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eJordan Perlson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4OBKmZVOMuk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eVenus (featuring Lara Mvula)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eLean On\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eBoth Still Here (featuring Jacob Collier)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003e45 Bucks\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eQueen Mab\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eWe Know Love\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e7.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eMercury\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e8.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eRegina\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e9.\u003c\/span\u003e\u003cspan\u003e              \u003c\/span\u003e\u003cspan\u003eHarbour Hawk\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e10.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eWell Loved (featuring Laura Mvula)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e11.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eOphelia\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e12.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eThe Muse (featuring David Crosby)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e13.\u003c\/span\u003e\u003cspan\u003e           \u003c\/span\u003e\u003cspan\u003eAs (featuring Jacob Collier)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Becca Stevens","offers":[{"title":"Default Title","offer_id":38596681629847,"sku":"digi-becca-regina-flac","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/tumblr_static_5qt8gcjcumo8w8w0gcs0k4okk_6cfb12d8-92c1-4f3b-8a15-1a9ff44b847a.jpg?v=1609887727"},{"product_id":"deep-the-baritone-sessions-vol-2-mp3-download-pre-order","title":"Deep: The Baritone Sessions Vol. 2 [MP3 Download]","description":"\u003cp\u003eWell known for his tight, aggressively grooving brand of rhythm playing, whether in the service of the GRAMMY Award-winning band Snarky Puppy, the Fearless Flyers or on his six solo albums, guitarist Mark Lettieri has found the perfect algorithm for the funk. Merging the influences of ‘70s and ‘80s rhythm and rock guitar icons like Prince and Eddie Van Halen, along with wide inspiration from George Clinton and P-Funk, Chuckii Booker, Periphery, Stevie Wonder, Steely Dan, and others. This Fort Worth, Texas resident has been insinuating his razor-sharp licks into the consciousness of funkateers since joining Snarky Puppy in 2008.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing a series of successful solo albums — 2011’s Knows, 2013’s \u003cem\u003eFuturefun\u003c\/em\u003e and 2016’s \u003cem\u003eSpark and Echo\u003c\/em\u003e — Lettieri began showing an affinity for the dark depths of baritone guitar in his popular social media video series, “Baritone Funk Thursday.” That online series led to his 2019 manifesto, \u003cem\u003eDeep: The Baritone Sessions\u003c\/em\u003e, a seven-song EP that featured contributions from fellow Snarky Puppy members Bobby Sparks and Justin Stanton on keyboards and Jason “JT” Thomas on drums, along with Funky Knuckles bassist Wes Stephenson and former Prince trumpeter Philip Lassiter. That same crew is back for \u003cem\u003eDeep: The Baritone Sessions\u003c\/em\u003e, Vol. 2, a full-length LP that showcases the breadth and depth of Lettieri’s nasty, low-end brand of funk.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCreated during the pandemic, \u003cem\u003eDeep: The Baritone Sessions Vol. 2\u003c\/em\u003e is a triumph of ingenuity built upon Lettieri’s life-long love of funk and rock. Within each album of the baritone series Mark develops a theme. For \u003cem\u003eDeep: The Baritone Sessions\u003c\/em\u003e, he descended to the bottom of the ocean, with each song named for a certain species of deep sea fish. For \u003cem\u003eDeep: The Baritone Sessions Vol. 2\u003c\/em\u003e, Lettieri traveled into outer space, titling the songs after different celestial phenomena.\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eTrack list: \u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eRed Dwarf (feat. Daric Bennett \u0026amp; Justin Stanton) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eMagnetar (feat. Adam Deitch \u0026amp; Shaun Martin) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003ePulsar (feat. 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Keith Anderson) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eSunlight\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Mark Lettieri","offers":[{"title":"Default Title","offer_id":39408837197975,"sku":"digi-mp3-Mark-Lettieri-Deep","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/MarkLettieri-BaritoneCover.jpg?v=1614881266"},{"product_id":"deep-the-baritone-sessions-vol-2-flac-download-pre-order","title":"Deep: The Baritone Sessions Vol. 2 [FLAC Download]","description":"\u003cp\u003eWell known for his tight, aggressively grooving brand of rhythm playing, whether in the service of the GRAMMY Award-winning band Snarky Puppy, the Fearless Flyers or on his six solo albums, guitarist Mark Lettieri has found the perfect algorithm for the funk. Merging the influences of ‘70s and ‘80s rhythm and rock guitar icons like Prince and Eddie Van Halen, along with wide inspiration from George Clinton and P-Funk, Chuckii Booker, Periphery, Stevie Wonder, Steely Dan, and others. This Fort Worth, Texas resident has been insinuating his razor-sharp licks into the consciousness of funkateers since joining Snarky Puppy in 2008.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing a series of successful solo albums — 2011’s Knows, 2013’s \u003cem\u003eFuturefun\u003c\/em\u003e and 2016’s \u003cem\u003eSpark and Echo\u003c\/em\u003e — Lettieri began showing an affinity for the dark depths of baritone guitar in his popular social media video series, “Baritone Funk Thursday.” That online series led to his 2019 manifesto, \u003cem\u003eDeep: The Baritone Sessions\u003c\/em\u003e, a seven-song EP that featured contributions from fellow Snarky Puppy members Bobby Sparks and Justin Stanton on keyboards and Jason “JT” Thomas on drums, along with Funky Knuckles bassist Wes Stephenson and former Prince trumpeter Philip Lassiter. That same crew is back for \u003cem\u003eDeep: The Baritone Sessions\u003c\/em\u003e, Vol. 2, a full-length LP that showcases the breadth and depth of Lettieri’s nasty, low-end brand of funk.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCreated during the pandemic, \u003cem\u003eDeep: The Baritone Sessions Vol. 2\u003c\/em\u003e is a triumph of ingenuity built upon Lettieri’s life-long love of funk and rock. Within each album of the baritone series Mark develops a theme. For \u003cem\u003eDeep: The Baritone Sessions\u003c\/em\u003e, he descended to the bottom of the ocean, with each song named for a certain species of deep sea fish. For \u003cem\u003eDeep: The Baritone Sessions Vol. 2\u003c\/em\u003e, Lettieri traveled into outer space, titling the songs after different celestial phenomena.\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eTrack list: \u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eRed Dwarf (feat. Daric Bennett \u0026amp; Justin Stanton) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eMagnetar (feat. Adam Deitch \u0026amp; Shaun Martin) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003ePulsar (feat. 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Keith Anderson) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eSublight\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Mark Lettieri","offers":[{"title":"Default Title","offer_id":39408918298775,"sku":"digi-flac-Mark-Lettieri-Deep","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/MarkLettieri-BaritoneCover_582f2436-d821-4203-a354-a9c78b1d7e34.jpg?v=1614881724"},{"product_id":"so-many-me-mp3-download","title":"So Many Me [MP3 Download]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan\u003eFor nearly two decades, four-time GRAMMY® Award-winning multi-instrumentalist, bandleader, producer, arranger, and songwriter Michael League has been an innovative force in modern music, whose grass-roots approach to the industry has made an imprint across multiple continents and genres. Known best as the leader of the instrumental ensemble Snarky Puppy, League has performed thousands of shows, released dozens of studio and live albums, and garnered accolades from the \u003c\/span\u003e\u003ci\u003eNew York Times, Downbeat, Jazz Times, and Rolling Stone\u003c\/i\u003e\u003cspan\u003e, among many others. The busy artist is also a founding member of the GRAMMY®-nominated supergroup Bokanté and oversees GroundUP Music—a fiercely independent label which he established in 2012. As a versatile producer and songwriter, League has collaborated with a broad spectrum of artists, including David Crosby, Esperanza Spaulding, Kirk Franklin, Joe Walsh, Daedelus, and Terence Blanchard.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout his many ventures, however, League has always felt most comfortable within a collaborative setting, whether he’s bringing musicians together from across the globe, planning the latest edition of the GroundUP Music Festival, or writing one-on-one with a partner. While the notion of a solo record first took shape in 2015, League’s demanding schedule always prevented him from pursuing it in earnest. And then, in March 2020, the world went into lockdown amid the COVID-19 pandemic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith tours canceled, studios shuttered, and projects on hold indefinitely, League finally had the time to make this record—titled \u003c\/span\u003e\u003ci\u003eSo Many Me\u003c\/i\u003e\u003cspan\u003e. Yet, lyrically and musically, his first solo album was a very different project—and process—than what he had initially envisioned five years earlier. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\u003cstrong\u003eTrack List: \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eSentinel Species\u003c\/li\u003e\n\u003cli\u003eMe, Like You\u003c\/li\u003e\n\u003cli\u003eRight Where I Fall*\u003c\/li\u003e\n\u003cli\u003eSince You’ve Been By\u003c\/li\u003e\n\u003cli\u003eI Wonder Who You Know\u003c\/li\u003e\n\u003cli\u003eTouch Me\u003c\/li\u003e\n\u003cli\u003eBest of All Time\u003c\/li\u003e\n\u003cli\u003eIn Your Mouth*\u003c\/li\u003e\n\u003cli\u003eEver the Actor\u003c\/li\u003e\n\u003cli\u003eFireside\u003c\/li\u003e\n\u003cli\u003eThe Last Friend\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; 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Known best as the leader of the instrumental ensemble Snarky Puppy, League has performed thousands of shows, released dozens of studio and live albums, and garnered accolades from the \u003c\/span\u003e\u003ci\u003eNew York Times, Downbeat, Jazz Times, and Rolling Stone\u003c\/i\u003e\u003cspan\u003e, among many others. The busy artist is also a founding member of the GRAMMY®-nominated supergroup Bokanté and oversees GroundUP Music—a fiercely independent label which he established in 2012. As a versatile producer and songwriter, League has collaborated with a broad spectrum of artists, including David Crosby, Esperanza Spaulding, Kirk Franklin, Joe Walsh, Daedelus, and Terence Blanchard.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout his many ventures, however, League has always felt most comfortable within a collaborative setting, whether he’s bringing musicians together from across the globe, planning the latest edition of the GroundUP Music Festival, or writing one-on-one with a partner. While the notion of a solo record first took shape in 2015, League’s demanding schedule always prevented him from pursuing it in earnest. And then, in March 2020, the world went into lockdown amid the COVID-19 pandemic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith tours canceled, studios shuttered, and projects on hold indefinitely, League finally had the time to make this record—titled \u003c\/span\u003e\u003ci\u003eSo Many Me\u003c\/i\u003e\u003cspan\u003e. Yet, lyrically and musically, his first solo album was a very different project—and process—than what he had initially envisioned five years earlier. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\u003cstrong\u003eTrack List: \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eSentinel Species\u003c\/li\u003e\n\u003cli\u003eMe, Like You\u003c\/li\u003e\n\u003cli\u003eRight Where I Fall*\u003c\/li\u003e\n\u003cli\u003eSince You’ve Been By\u003c\/li\u003e\n\u003cli\u003eI Wonder Who You Know\u003c\/li\u003e\n\u003cli\u003eTouch Me\u003c\/li\u003e\n\u003cli\u003eBest of All Time\u003c\/li\u003e\n\u003cli\u003eIn Your Mouth*\u003c\/li\u003e\n\u003cli\u003eEver the Actor\u003c\/li\u003e\n\u003cli\u003eFireside\u003c\/li\u003e\n\u003cli\u003eThe Last Friend\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; 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Known best as the leader of the instrumental ensemble Snarky Puppy, League has performed thousands of shows, released dozens of studio and live albums, and garnered accolades from the \u003ci\u003eNew York Times, Downbeat, Jazz Times, and Rolling Stone\u003c\/i\u003e\u003cspan\u003e, among many others. The busy artist is also a founding member of the GRAMMY®-nominated supergroup Bokanté and oversees GroundUP Music—a fiercely independent label which he established in 2012. 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Known best as the leader of the instrumental ensemble Snarky Puppy, League has performed thousands of shows, released dozens of studio and live albums, and garnered accolades from the \u003c\/span\u003e\u003ci\u003eNew York Times, Downbeat, Jazz Times, and Rolling Stone\u003c\/i\u003e\u003cspan\u003e, among many others. The busy artist is also a founding member of the GRAMMY®-nominated supergroup Bokanté and oversees GroundUP Music—a fiercely independent label which he established in 2012. As a versatile producer and songwriter, League has collaborated with a broad spectrum of artists, including David Crosby, Esperanza Spaulding, Kirk Franklin, Joe Walsh, Daedelus, and Terence Blanchard.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout his many ventures, however, League has always felt most comfortable within a collaborative setting, whether he’s bringing musicians together from across the globe, planning the latest edition of the GroundUP Music Festival, or writing one-on-one with a partner. While the notion of a solo record first took shape in 2015, League’s demanding schedule always prevented him from pursuing it in earnest. And then, in March 2020, the world went into lockdown amid the COVID-19 pandemic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith tours canceled, studios shuttered, and projects on hold indefinitely, League finally had the time to make this record—titled \u003c\/span\u003e\u003ci\u003eSo Many Me\u003c\/i\u003e\u003cspan\u003e. Yet, lyrically and musically, his first solo album was a very different project—and process—than what he had initially envisioned five years earlier. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\u003cstrong\u003eTrack List: \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eSentinel Species\u003c\/li\u003e\n\u003cli\u003eMe, Like You\u003c\/li\u003e\n\u003cli\u003eRight Where I Fall*\u003c\/li\u003e\n\u003cli\u003eSince You’ve Been By\u003c\/li\u003e\n\u003cli\u003eI Wonder Who You Know\u003c\/li\u003e\n\u003cli\u003eTouch Me\u003c\/li\u003e\n\u003cli\u003eBest of All Time\u003c\/li\u003e\n\u003cli\u003eIn Your Mouth*\u003c\/li\u003e\n\u003cli\u003eEver the Actor\u003c\/li\u003e\n\u003cli\u003eFireside\u003c\/li\u003e\n\u003cli\u003eThe Last Friend\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" color=\"#000000\" style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" color=\"#000000\" style=\"color: #000000;\"\u003ePre-order info:\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eApril 23: Pre-order Starts, \"Right Where I Fall\" Single Release\u003cbr\u003eMay 21: \"In Your Mouth\" Single Release\u003cbr\u003eJune 25: Album Release\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; 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This sophomore album finds the acoustic duo continuing to explore their cinematic, storytelling approach to instrumental songwriting. Despite the limitations of the stripped-down acoustic guitar setting, the album provides plenty of variation stylistically and emotionally. Moments of thickly interwoven textures, stark simplicity, bluegrass-inspired tunes, and even a quasi-Baroque etude all coexist here. As always, the duo maintain a focus on crafting songs with satisfying arrangements while leaving plenty of room to improvise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eTrack List: \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eFlow*\u003c\/li\u003e\n\u003cli\u003eSus Blues \u003c\/li\u003e\n\u003cli\u003eBull Creek \u003c\/li\u003e\n\u003cli\u003eSo Long\u003c\/li\u003e\n\u003cli\u003eEtude No. 2 \u003c\/li\u003e\n\u003cli\u003eSend Off \u003c\/li\u003e\n\u003cli\u003eMöbius*\u003c\/li\u003e\n\u003cli\u003eE.S.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Read\/McQueen","offers":[{"title":"Default Title","offer_id":39987873972375,"sku":"digi-mp3-read-mcqueen","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Read_McQueenAlbumCover_2000.jpg?v=1619722988"},{"product_id":"read-mcqueen-flac-download-pre-order","title":"Read\/McQueen [FLAC download]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing their self-released debut album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWestern Theatre\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2017), guitarists Matt Read and Chris McQueen are proud to join the GroundUP Music family with their eponymous second release \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRead\/McQueen\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. 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When the four band members are asked what “style” of music they listen to, it can be a very long conversation because the answer seems nearly as vast as the history of recorded music. It’s a genuine curiosity, and one that has led to an entirely new collaboration involving twenty-four other artists.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFour (Remixt), set to be released in October, is a massive collection of all new tracks built out of FORQ’s most recent release, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFour\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The band invited a group of incredible musicians from disparate corners of the musical landscape to take\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFour\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and do, basically, whatever they wanted. And the results are quite varied--to say the least.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn light of the ongoing pause on touring, FORQ is embracing the opportunity to connect with other artists in any way possible. Hearing the fragments of an album that the band members worked so hard to create reimagined into wholly new pieces has been inspiring for them, and they can’t wait for fans (and new fans) to hear them too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRally (Sirintip \u0026amp; Nolan Byrd Remix)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMr. Bort (Tim K Remix)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eM-Theory (Colonel Beats Berklee-Drop-Out Version) (feat. Jochen Rueckert)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEAV (Stix Beiderbecke Mix) (feat. Zach Danziger)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDuck People (Tatum Gale Remix)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGrifter (MOWO!’s Pandemic Cough Syrup Mix) (feat. 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The band invited a group of incredible musicians from disparate corners of the musical landscape to take\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFour\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and do, basically, whatever they wanted. And the results are quite varied--to say the least.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn light of the ongoing pause on touring, FORQ is embracing the opportunity to connect with other artists in any way possible. 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This sophomore album finds the acoustic duo continuing to explore their cinematic, storytelling approach to instrumental songwriting. Despite the limitations of the stripped-down acoustic guitar setting, the album provides plenty of variation stylistically and emotionally. Moments of thickly interwoven textures, stark simplicity, bluegrass-inspired tunes, and even a quasi-Baroque etude all coexist here. 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The Secret Trio is made up of an oudist, kanunist and clarinetist who came together to create a new type of chamber music, combining the elements of sound, texture and rhythm with new and interesting approaches to their instruments. They perform original pieces and traditional melodies that fuse the microtonal modes and improvisation of the Middle East, dance beats of the Balkans, and elements of jazz, rock, classical and world music. The Secret Trio has played at the most prestigious venues throughout Turkey, including Cemal Reşit Rey Hall.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\nMichael League, Snarky Puppy bandleader and founder of GroundUP Music, wrote most of the songs with Becca for the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBecca Stevens \u0026amp; The Secret Trio\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ealbum along with producing it. The record focuses on blending Becca’s effortless vocal talent and exquisite compositions with The Secret Trio’s mastered musical traditions. Becca is a highly respected collaborator and has worked with the likes of David Crosby, Jacob Collier, Brad Mehldau, Esperanza Spalding and more. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003col\u003e\n\u003cli\u003eFlow In My Tears \u003c\/li\u003e\n\u003cli\u003eBring It Back \u003c\/li\u003e\n\u003cli\u003eWe Were Wrong\u003c\/li\u003e\n\u003cli\u003eCalifornia\u003c\/li\u003e\n\u003cli\u003eEleven Roses \u003c\/li\u003e\n\u003cli\u003eLucian \u003c\/li\u003e\n\u003cli\u003ePathways \u003c\/li\u003e\n\u003cli\u003eMaria \u003c\/li\u003e\n\u003cli\u003eLullaby for the Sun \u003c\/li\u003e\n\u003cli\u003eThe Eye\u003c\/li\u003e\n\u003cli\u003eFor You The Night is Still \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Becca Stevens, The Secret Trio","offers":[{"title":"Default Title","offer_id":40216981110935,"sku":"0017-03200","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/BeccaStevens_TheSecretTrio-AlbumCover-1000_70974fcd-db9e-4446-a13b-3b14ccc6edc3.jpg?v=1622751625"},{"product_id":"mirrors-cd","title":"Mirrors [CD]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe concept of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMirrors\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is simple: bring five unique musical spirits under one roof to each co-write a song with one another, yielding ten songs that are personal to the respective pair of songwriters yet are all unified through the collaborative co-production and recording process. Recorded just outside of Portalegre in the Alto Alentejo region of Portugal, the artists - one residing in Spain (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMichael League\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), two in the USA (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBecca Stevens\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLouis Cato\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), and two in Portugal (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGisela Joāo\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eand \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJustin Stanton\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) - came together in late August amidst the nearly insurmountable restrictions to travel and conventional means of working together that COVID-19 has enforced upon people around the globe. A collective spirit of urgency and yearning for the creative process led to the birth of, I believe, a truly special set of dynamic, personal, and powerful music that captures each artists’ singular voices while simultaneously casting it through new and vibrant prisms forged alongside their compositional counterparts.\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cb\u003eTrack List\u003c\/b\u003e\u003cstrong\u003e: \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003col\u003e\n\u003cli\u003eCan’t Stop Moving\u003c\/li\u003e\n\u003cli\u003eThe Call*\u003c\/li\u003e\n\u003cli\u003eSay It\u003c\/li\u003e\n\u003cli\u003eSleep*\u003c\/li\u003e\n\u003cli\u003eUna Rosa\u003c\/li\u003e\n\u003cli\u003eOver the Line*\u003c\/li\u003e\n\u003cli\u003eWeary \u003c\/li\u003e\n\u003cli\u003eI Don’t Blame the Wind\u003c\/li\u003e\n\u003cli\u003eTempestade*\u003c\/li\u003e\n\u003cli\u003eLife Is Fine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003eAlbum Pre-Order Info: \u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003eOctober 1: \"Over The Line,\" \"Sleep,\" \u0026amp; \"\u003c\/span\u003eTempestade\" Single Release\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003eOctober: \"\u003c\/span\u003eThe Call\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\" Single Release \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003eNovember 12: Album Release \u003c\/span\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Mirrors","offers":[{"title":"Default Title","offer_id":40954715046039,"sku":"0017-03210","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Mirrors-final-03-small.jpg?v=1631119977"},{"product_id":"mirrors-mp3-download","title":"Mirrors [MP3 Download]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe concept of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMirrors\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is simple: bring five unique musical spirits under one roof to each co-write a song with one another, yielding ten songs that are personal to the respective pair of songwriters yet are all unified through the collaborative co-production and recording process. Recorded just outside of Portalegre in the Alto Alentejo region of Portugal, the artists - one residing in Spain (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMichael League\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), two in the USA (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBecca Stevens\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLouis Cato\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), and two in Portugal (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGisela Joāo\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eand \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJustin Stanton\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) - came together in late August amidst the nearly insurmountable restrictions to travel and conventional means of working together that COVID-19 has enforced upon people around the globe. A collective spirit of urgency and yearning for the creative process led to the birth of, I believe, a truly special set of dynamic, personal, and powerful music that captures each artists’ singular voices while simultaneously casting it through new and vibrant prisms forged alongside their compositional counterparts.\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eTrack List\u003c\/b\u003e\u003cstrong data-mce-fragment=\"1\"\u003e: \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCan’t Stop Moving\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Call*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSay It\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSleep*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUna Rosa\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOver the Line*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWeary \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Don’t Blame the Wind\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTempestade*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLife Is Fine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" color=\"#000000\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Mirrors","offers":[{"title":"Default Title","offer_id":40954950254743,"sku":"digi-mp3-mirrors","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Mirrors-final-03-small_289908f7-96ec-473c-b6e0-c30a94561046.jpg?v=1631122626"},{"product_id":"mirrors-flac-download","title":"Mirrors [FLAC Download]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe concept of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMirrors\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is simple: bring five unique musical spirits under one roof to each co-write a song with one another, yielding ten songs that are personal to the respective pair of songwriters yet are all unified through the collaborative co-production and recording process. Recorded just outside of Portalegre in the Alto Alentejo region of Portugal, the artists - one residing in Spain (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMichael League\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), two in the USA (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBecca Stevens\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLouis Cato\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), and two in Portugal (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGisela Joāo\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eand \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJustin Stanton\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) - came together in late August amidst the nearly insurmountable restrictions to travel and conventional means of working together that COVID-19 has enforced upon people around the globe. A collective spirit of urgency and yearning for the creative process led to the birth of, I believe, a truly special set of dynamic, personal, and powerful music that captures each artists’ singular voices while simultaneously casting it through new and vibrant prisms forged alongside their compositional counterparts.\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eTrack List\u003c\/b\u003e\u003cstrong data-mce-fragment=\"1\"\u003e: \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCan’t Stop Moving\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Call*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSay It\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSleep*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUna Rosa\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOver the Line*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWeary \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Don’t Blame the Wind\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTempestade*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLife Is Fine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Mirrors","offers":[{"title":"Default Title","offer_id":40954974896279,"sku":"digi-flac-mirrors","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Mirrors-final-03-small_60098e76-5131-4340-a3e8-9c1e03984135.jpg?v=1631123341"},{"product_id":"back-to-4-ep-digital-download","title":"Back to 4 EP [Digital Download]","description":"\u003cdiv data-mce-fragment=\"1\"\u003eBack to 4 is the quintessence of C4 Trío. 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Es el cuatro, esa suerte de guitarrilla de 4 cuerdas presente en la enorme mayoría de los ritmos tradicionales venezolanos, llevada al máximo de sus posibilidades expresivas. \u003cbr\u003e\u003cbr\u003eCargado de música nueva e instrumental, el séptimo álbum de su catálogo representa también la continuidad de una exploración sonora que comenzó en 2005 en Caracas, Venezuela, y que generó una de las propuestas artísticas más excitantes de ese país suramericano que mira al Caribe y al Atlántico, absorbiendo directamente copiosas y heterogéneas influencias. \u003cbr\u003e\u003cbr\u003eLa agrupación ganadora de Latin Grammys y nominada a Grammys siempre ha navegado aguas universales en su barco construido con madera venezolana. Jamás ha dejado de experimentar el encuentro del joropo, el merengue venezolano y otros géneros cultivados en casa, con el jazz y la música del mundo. Obras como ésta son consecuencias de esa curiosidad. \u003cbr\u003e\u003cbr\u003eAdvertencia: No existe un antídoto para contrarrestar el efecto de este producto. El C4 Trío en altas concentraciones suele ser en extremo beneficioso para la salud. - Gerardo Guarache Ocque\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\u003cstrong\u003eEP Tracklist: \u003c\/strong\u003e\u003c\/div\u003e\n\u003col\u003e\n\u003cli\u003eNo Nation Song\u003c\/li\u003e\n\u003cli\u003eIncertidumbre\u003c\/li\u003e\n\u003cli\u003eBack To 4\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"C4 Trío","offers":[{"title":"MP3","offer_id":41306389119127,"sku":"digi-mp3-C4-back-to","price":1.99,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":41306389151895,"sku":"digi-flac-C4-back-to","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/backto4_EP_cover_fa_small_8ede244d-de7a-4194-82c5-bea2f02dccfc.jpg?v=1636044258"},{"product_id":"immigrance-extras-vinyl","title":"Immigrance Extras [Vinyl]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Immigrance\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eExtras\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003eLP\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003efeatures six of Snarky Puppy's digital-only released tracks from the \u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eImmigrance\u003c\/span\u003e \u003c\/i\u003erecording\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003esessi\u003cwbr data-mce-fragment=\"1\"\u003eon. Enjoy the limited-edition bonus tracks in physical format while supplies last. \u003c\/wbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eTracklist:\u003c\/b\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eSIDE A \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBigly Strictness (Extended)\u003cbr data-mce-fragment=\"1\"\u003eEmbossed\u003cbr data-mce-fragment=\"1\"\u003eChrysalis\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSIDE B \u003cbr data-mce-fragment=\"1\"\u003eChonks (Extended)\u003cbr data-mce-fragment=\"1\"\u003eBardis\u003cbr data-mce-fragment=\"1\"\u003eWhile We Are Young (Extended)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePersonnel:\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Lanzetti - electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChris McQueen - electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMark Lettieri - baritone electric guitar, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ebaritone guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael League - electric bass, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecümbüş, Minimoog bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Laurance - piano, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFender Rhodes, clavinet, Mellotron, Roland Juno\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJustin Stanton - Fender Rhodes, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eProphet, Juno synthesizers, Mellotron, Moog Prodigy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBobby Sparks - Hammond B3 organ, clavinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShaun Martin - Minimoog bass, Minimoog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMike “Maz” Maher - trumpet, flugelhorn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan id=\"m_-5529764550337641179gmail-m_3182882012816399041gmail-docs-internal-guid-9f521109-7fff-718a-a1d4-73903b712f0a\" data-mce-fragment=\"1\"\u003eJay Jennings - trumpet, flugelhorn\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChris Bullock - soprano sax, tenor sax, flute, alto flute, bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Reynolds - tenor sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZach Brock - violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNate Werth - percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKeita Ogawa - percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcelo Woloski - percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJason “JT” Thomas - drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLarnell Lewis - drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJamison Ross - drums\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; 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Navigating the sounds and emotions Willis bravely lays bare, expertly produced with Fab Dupont (Andre 3000, Gregory Porter) at Flux Studios, the songs change and unfurl to reveal their meaning: giving voice to smallness, navigating indecision and change, and making room for a new chapter, which in a sense, is finding relief and resolve. The outcome for Willis and for us is nothing less than transcendent. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eWillis’s talent is undeniable given her formidable résumé amassed through a variety of collaborations as a session keyboardist and vocalist, as well as the critical reception of her debut \u003ci data-mce-fragment=\"1\"\u003eSee Us Through\u003c\/i\u003e on the GroundUP Music label. Even more impressive is her persistence as a songwriter. A Toronto native, she moved to New York in 2016 with few prospects, save for a monthly residency at Rockwood Music Hall. Within months she was touring in two bands led by David Crosby, another by pop\/jazz composer Becca Stevens, and opening for jazz\/funk collective Snarky Puppy across the globe. \u003ci data-mce-fragment=\"1\"\u003eJust One Voice\u003c\/i\u003e was written during the intensity of non-stop travel, penned from the cramped seats of buses, planes and countless green rooms. One night, out on the open road, Willis played the title track for Crosby, her mentor and bandmate, who urged: “No one else sounds like this. This is you. You have to make this record.” So with the fuel of warm support, Willis was able to secure a prestigious grant from the Canada Arts Council to set it into motion. Having marinated during lockdown with Willis laying down final vocals, \u003ci data-mce-fragment=\"1\"\u003eJust One Voice \u003c\/i\u003esprung back to life with the reopening of her beloved New York and her deep desire to connect:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e“I’m reaching out to every hope I’ve seen,\u003cbr data-mce-fragment=\"1\"\u003eEvery shade of silver lining”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cu\u003e\u003cb\u003eTrack List:\u003c\/b\u003e\u003c\/u\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e10ths\u003c\/li\u003e\n\u003cli\u003eLiberty \u003c\/li\u003e\n\u003cli\u003eJust One Voice \u003c\/li\u003e\n\u003cli\u003eGreen Grey \u003c\/li\u003e\n\u003cli\u003eTrigger (feat. Taylor Ashton) \u003c\/li\u003e\n\u003cli\u003eJanet\u003c\/li\u003e\n\u003cli\u003eHow Come (feat. Michael McDonald) \u003c\/li\u003e\n\u003cli\u003eThink Well\u003c\/li\u003e\n\u003cli\u003e‘Til The Weight Lifts (feat. Grégoire Maret) \u003c\/li\u003e\n\u003cli\u003eOn \u0026amp; On \u003c\/li\u003e\n\u003cli\u003eBlack Night (feat. Becca Stevens) \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Michelle Willis","offers":[{"title":"Default Title","offer_id":41605648285847,"sku":"digi-mp3-just-one-voice","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/MichelleWillis-JustOneVoice-FINALsmall_5d5a99f6-ab4d-49b6-8c94-26eedb3bc6ef.jpg?v=1642010789"},{"product_id":"auburn-whisper-mp3-download","title":"Auburn Whisper [MP3 Download]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e—the latest album from trombonist, singer, and songwriter Natalie Cressman and guitarist, composer, and vocalist Ian Faquini—not only serves as a testament to the couple’s symbiotic musical partnership but also to their resilience during unprecedented times. Written and recorded in 2020, \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e finds the two artists blending traditional Brazilian rhythms with modern, expansive arrangements—reflecting on people and places they miss while discovering joy within the present moment.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Some might say that Natalie and Ian were destined to meet in the majestic redwood forests of Cazadero, CA. There, musicians from around the world gather annually for Brazil Camp—a week-long retreat that offers masterclasses from the South American country’s greatest talents. As children, Natalie and Ian accompanied their parents to the camp, where they unknowingly played their first notes together at seven and eight years old, respectively.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Raised in the Bay Area, Natalie was surrounded by music. Her father, Jeff Cressman, is a renowned trombonist, producer, and engineer, while her mother, Sandy Cressman, is a jazz singer and passionate interpreter of Brazilian music. Ian, meanwhile, was born in Brasilia and relocated to Northern California when he was eight. As a young guitarist, Ian’s interests were centered firmly on rock music. But that changed at 15 when he met the legendary composer and guitarist, Guinga, at Brazil Camp. “We hit it off immediately,” recalls Ian of his mentor. “When I met Guinga, I switched my entire focus to Brazilian music.”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Over the next decade, Ian and Natalie forged successful careers on either side of the country. In New York, Natalie became an accomplished trombonist and vocalist, recording a variety of solo projects, performing in Broadway pit orchestras, and building a following in the jam, funk, and jazz circuits with acts like the Trey Anastasio Band, Peter Apfelbaum, Big Gigantic, and Umphrey’s McGee. Remaining in the Bay Area, Ian established himself as one of the region’s foremost guitarists and authorities on Brazilian music. In addition to releasing his own music, Ian joined the faculty at Berkeley’s California Jazz Conservatory and became an in-demand collaborator—often working with Jeff and Sandy Cressman.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e But it was Brazil Camp that would eventually unite the two musicians as adults. The title track of \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e details those early days together in the forests of Northern California. “The magic and beauty of the redwoods just fit with those feelings of opening up to somebody, musically and romantically,” shares Natalie. The song also includes a nod to Guinga, who, years before, had a premonition that the duo would become involved.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Ian and Natalie’s relationship flourished and, in 2019, they released \u003ci data-mce-fragment=\"1\"\u003eSetting Rays of Summer\u003c\/i\u003e. While they intended to spend much of the following year touring around the acclaimed album, the global pandemic changed their plans. Returning to California, the couple channeled their disappointment into songwriting. They settled into a comfortable routine, which included weekly recording sessions at Jeff Cressman’s home studio. The process, Natalie recalls, “was all very organic. Without any commitments or restraints, we were able to take the time we needed to realize these songs and bring them to life.”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e That freedom also allowed the pair to take a more hands-on approach as producers and, for Natalie, to broaden her work as an arranger. “The arrangements took on a big role in the overall sound of the album,” notes Natalie, who typically writes the duo’s English lyrics, while Ian composes the melodies. In contrast to the stripped-down, live tracking of \u003ci data-mce-fragment=\"1\"\u003eSetting Rays of Summer, Auburn Whisper \u003c\/i\u003efound the duo revisiting each song, building layers of lush, nuanced trombone and multidimensional vocal harmonies. “With the extra time, we were really able to pay attention to detail,” adds Natalie. “Normally, it would have taken us years to write this music.”  \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Many of the songs on \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e were influenced by the unique era that they were written in—and the rainbow of emotions that arose during lockdown. Threads of yearning and lament intertwine with joyful memories and introspective contemplation. “Segredo De Dadá,” for instance, finds Ian longing to visit his grandmother (nicknamed “Dadá”) in Copacabana. When he sent the expressive song to Guinga, the composer felt his own sense of \u003ci data-mce-fragment=\"1\"\u003esaudades \u003c\/i\u003efor Brazil Camp, which was canceled amidst the pandemic. Inspired, Guinga added lyrics, conjuring surreal, juxtaposed imagery of Rio and Northern California. Similarly, the poignant “Rear Window” (named for the classic Hitchcock film), paints a scene of isolation and desire. At the other end of the spectrum, the dreamy “Already There”—which the couple dubs their “Pandemic Anthem”—is about accepting one’s current state of being and bravely facing the unknown.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Indigenous Brazilian folklore also permeates the album, thanks to Iara Ferreira—a frequent collaborator of Ian’s, who wrote the majority of \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e’s Portuguese lyrics. “Iara’s words just meld so beautifully with the music,” admires Natalie. “She always ties in a really fitting meaning that goes with the vibe of the song.” Among several examples is the spritely opening track, “Afoxé pra Oxum,” which references Oxum—the goddess of rivers, waterfalls, and fresh water. Set to a foundational ijexá rhythm, the meditative track incorporates a traditional chant to the deity, who is also a symbol of fertility, beauty, and wealth.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e “Brazilian music and culture is a mix of African, European, and indigenous traditions,” explains Ian. “Indigenous words are part of Brazilian Portuguese and contribute to the rhythm of the language, so I’m always thinking about that when writing songs.” One particularly percussive vocal performance can be heard in “Curandeiro,” in which the duo sings about a healer who cares for the Mundukuru people of the Amazon. The song also marvels at human beings’ vital connection to nature—another prominent theme of \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper.\u003c\/i\u003e The bright “Benção de Iansá,” meanwhile, offers a blessing to Iansá, the goddess of winds, storms, lightning, and fire, who is frequently called upon to ease the pain of life’s difficult moments.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Reflecting on the turbulence of the pandemic, Natalie and Ian certainly conjured their own inner strength—growing together as both artists and as a couple. “With the year that 2020 could have been, there was certainly a feeling of loss. But it ultimately gave us time to be creative—something that we rarely have when we’re touring,” shares Natalie. “Together, we were able to get back to the heart of why we really love music.”\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cu\u003eTracklist:\u003c\/u\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eAfoxé pra Oxum \u003c\/li\u003e\n\u003cli\u003eRear Window \u003c\/li\u003e\n\u003cli\u003eCanaã \u003c\/li\u003e\n\u003cli\u003eAuburn Whisper \u003c\/li\u003e\n\u003cli\u003eBenção de Iansã \u003c\/li\u003e\n\u003cli\u003eSegredo de Dadá \u003c\/li\u003e\n\u003cli\u003eCazadero \u003c\/li\u003e\n\u003cli\u003eCurandeiro \u003c\/li\u003e\n\u003cli\u003eAlready There \u003c\/li\u003e\n\u003cli\u003eRalando Coco \u003c\/li\u003e\n\u003cli\u003eHood River \u003c\/li\u003e\n\u003cli\u003eDoutor Escobar \u003c\/li\u003e\n\u003cli\u003eMadrugada\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-style=\"color: #000000;\"\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Natalie Cressman \u0026 Ian Faquini","offers":[{"title":"Default Title","offer_id":41659576156311,"sku":"digi-mp3-auburn-whisper","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/AuburnWhisperCover_Finalart_small_dc133604-e131-47ed-bbe9-cd4b586c64de.jpg?v=1642623863"},{"product_id":"auburn-whisper-flac-download","title":"Auburn Whisper [FLAC Download]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e—the latest album from trombonist, singer, and songwriter Natalie Cressman and guitarist, composer, and vocalist Ian Faquini—not only serves as a testament to the couple’s symbiotic musical partnership but also to their resilience during unprecedented times. Written and recorded in 2020, \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e finds the two artists blending traditional Brazilian rhythms with modern, expansive arrangements—reflecting on people and places they miss while discovering joy within the present moment.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Some might say that Natalie and Ian were destined to meet in the majestic redwood forests of Cazadero, CA. There, musicians from around the world gather annually for Brazil Camp—a week-long retreat that offers masterclasses from the South American country’s greatest talents. As children, Natalie and Ian accompanied their parents to the camp, where they unknowingly played their first notes together at seven and eight years old, respectively.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Raised in the Bay Area, Natalie was surrounded by music. Her father, Jeff Cressman, is a renowned trombonist, producer, and engineer, while her mother, Sandy Cressman, is a jazz singer and passionate interpreter of Brazilian music. Ian, meanwhile, was born in Brasilia and relocated to Northern California when he was eight. As a young guitarist, Ian’s interests were centered firmly on rock music. But that changed at 15 when he met the legendary composer and guitarist, Guinga, at Brazil Camp. “We hit it off immediately,” recalls Ian of his mentor. “When I met Guinga, I switched my entire focus to Brazilian music.”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Over the next decade, Ian and Natalie forged successful careers on either side of the country. In New York, Natalie became an accomplished trombonist and vocalist, recording a variety of solo projects, performing in Broadway pit orchestras, and building a following in the jam, funk, and jazz circuits with acts like the Trey Anastasio Band, Peter Apfelbaum, Big Gigantic, and Umphrey’s McGee. Remaining in the Bay Area, Ian established himself as one of the region’s foremost guitarists and authorities on Brazilian music. In addition to releasing his own music, Ian joined the faculty at Berkeley’s California Jazz Conservatory and became an in-demand collaborator—often working with Jeff and Sandy Cressman.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e But it was Brazil Camp that would eventually unite the two musicians as adults. The title track of \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e details those early days together in the forests of Northern California. “The magic and beauty of the redwoods just fit with those feelings of opening up to somebody, musically and romantically,” shares Natalie. The song also includes a nod to Guinga, who, years before, had a premonition that the duo would become involved.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Ian and Natalie’s relationship flourished and, in 2019, they released \u003ci data-mce-fragment=\"1\"\u003eSetting Rays of Summer\u003c\/i\u003e. While they intended to spend much of the following year touring around the acclaimed album, the global pandemic changed their plans. Returning to California, the couple channeled their disappointment into songwriting. They settled into a comfortable routine, which included weekly recording sessions at Jeff Cressman’s home studio. The process, Natalie recalls, “was all very organic. Without any commitments or restraints, we were able to take the time we needed to realize these songs and bring them to life.”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e That freedom also allowed the pair to take a more hands-on approach as producers and, for Natalie, to broaden her work as an arranger. “The arrangements took on a big role in the overall sound of the album,” notes Natalie, who typically writes the duo’s English lyrics, while Ian composes the melodies. In contrast to the stripped-down, live tracking of \u003ci data-mce-fragment=\"1\"\u003eSetting Rays of Summer, Auburn Whisper \u003c\/i\u003efound the duo revisiting each song, building layers of lush, nuanced trombone and multidimensional vocal harmonies. “With the extra time, we were really able to pay attention to detail,” adds Natalie. “Normally, it would have taken us years to write this music.”  \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Many of the songs on \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e were influenced by the unique era that they were written in—and the rainbow of emotions that arose during lockdown. Threads of yearning and lament intertwine with joyful memories and introspective contemplation. “Segredo De Dadá,” for instance, finds Ian longing to visit his grandmother (nicknamed “Dadá”) in Copacabana. When he sent the expressive song to Guinga, the composer felt his own sense of \u003ci data-mce-fragment=\"1\"\u003esaudades \u003c\/i\u003efor Brazil Camp, which was canceled amidst the pandemic. Inspired, Guinga added lyrics, conjuring surreal, juxtaposed imagery of Rio and Northern California. Similarly, the poignant “Rear Window” (named for the classic Hitchcock film), paints a scene of isolation and desire. At the other end of the spectrum, the dreamy “Already There”—which the couple dubs their “Pandemic Anthem”—is about accepting one’s current state of being and bravely facing the unknown.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Indigenous Brazilian folklore also permeates the album, thanks to Iara Ferreira—a frequent collaborator of Ian’s, who wrote the majority of \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper\u003c\/i\u003e’s Portuguese lyrics. “Iara’s words just meld so beautifully with the music,” admires Natalie. “She always ties in a really fitting meaning that goes with the vibe of the song.” Among several examples is the spritely opening track, “Afoxé pra Oxum,” which references Oxum—the goddess of rivers, waterfalls, and fresh water. Set to a foundational ijexá rhythm, the meditative track incorporates a traditional chant to the deity, who is also a symbol of fertility, beauty, and wealth.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e “Brazilian music and culture is a mix of African, European, and indigenous traditions,” explains Ian. “Indigenous words are part of Brazilian Portuguese and contribute to the rhythm of the language, so I’m always thinking about that when writing songs.” One particularly percussive vocal performance can be heard in “Curandeiro,” in which the duo sings about a healer who cares for the Mundukuru people of the Amazon. The song also marvels at human beings’ vital connection to nature—another prominent theme of \u003ci data-mce-fragment=\"1\"\u003eAuburn Whisper.\u003c\/i\u003e The bright “Benção de Iansá,” meanwhile, offers a blessing to Iansá, the goddess of winds, storms, lightning, and fire, who is frequently called upon to ease the pain of life’s difficult moments.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e Reflecting on the turbulence of the pandemic, Natalie and Ian certainly conjured their own inner strength—growing together as both artists and as a couple. “With the year that 2020 could have been, there was certainly a feeling of loss. But it ultimately gave us time to be creative—something that we rarely have when we’re touring,” shares Natalie. “Together, we were able to get back to the heart of why we really love music.”\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cu\u003eTracklist:\u003c\/u\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eAfoxé pra Oxum \u003c\/li\u003e\n\u003cli\u003eRear Window \u003c\/li\u003e\n\u003cli\u003eCanaã \u003c\/li\u003e\n\u003cli\u003eAuburn Whisper \u003c\/li\u003e\n\u003cli\u003eBenção de Iansã \u003c\/li\u003e\n\u003cli\u003eSegredo de Dadá \u003c\/li\u003e\n\u003cli\u003eCazadero \u003c\/li\u003e\n\u003cli\u003eCurandeiro \u003c\/li\u003e\n\u003cli\u003eAlready There \u003c\/li\u003e\n\u003cli\u003eRalando Coco \u003c\/li\u003e\n\u003cli\u003eHood River \u003c\/li\u003e\n\u003cli\u003eDoutor Escobar \u003c\/li\u003e\n\u003cli\u003eMadrugada \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Natalie Cressman \u0026 Ian Faquini","offers":[{"title":"Default Title","offer_id":41659763458199,"sku":"digi-flac-auburn-whisper","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/AuburnWhisperCover_Finalart_small_13b36116-b88f-421f-9ff6-e4165e3755b7.jpg?v=1642624744"},{"product_id":"homebodies-2lp","title":"Homebodies [2LP]","description":"\u003cdiv\u003eLimited run, colored marble vinyl, gatefold double LP.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eHomebodies - people who enjoy the peaceful quiet of home. Someone with a natural resistance to social pressures and norms. The idea of searching for a sense of “home.” The search for someone that makes you feel \"home,” someone that represents safety and comfort. Someone who you can share and create a home with. Feeling comfortable in your own skin.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ci\u003eHomebodies\u003c\/i\u003e is an album that reflects 10 years of writing and experience. From playing in bands and spending a life on the road, to breakups and lost relationships, \u003ci\u003eHomebodies\u003c\/i\u003e is an attempt to make sense of the world. This album is a personal quest to find a voice, to feel comfortable in my own skin as an artist. While this album focuses heavily on grooves that feel good, there is also a concerted effort to push beyond what people’s preconceptions of a jazz album are, and even more importantly, it's an attempt to push beyond the boundaries of who people think I am as an artist. I wanted to be sure to include some historical references in these works and as a jazz musician, I wanted to recognize the work of everyone who has devoted their lives to this music. Improvising is one of the purest forms of self expression and this album was graced by the presence of some of today’s most epic improvisers. Exploring this music was essentially a search for a home body. The compositions are the homebody for the spontaneous moments of improvisation.\u003ci\u003e (Lee Pardini, 2020). \u003c\/i\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan class=\"im\"\u003e\u003cb\u003eTrack list\u003c\/b\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003col\u003e\n\u003cli\u003ewhatsoever \u003c\/li\u003e\n\u003cli\u003eMain Title \u003c\/li\u003e\n\u003cli\u003eETA \u003c\/li\u003e\n\u003cli\u003eHome \u003c\/li\u003e\n\u003cli\u003eSibley \u003c\/li\u003e\n\u003cli\u003eOne Day at a Time \u003c\/li\u003e\n\u003cli\u003eLou \u003c\/li\u003e\n\u003cli\u003eLV, NV \u003c\/li\u003e\n\u003cli\u003eMost Fun I’ve Had All Week \u003c\/li\u003e\n\u003cli\u003eRancho \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Lee Pardini","offers":[{"title":"Default Title","offer_id":41700605427863,"sku":"0017-06190","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Lee-Pardini_Homebodies_AlbumArt-1000.jpg?v=1643410326"},{"product_id":"homebodies-mp3-download","title":"Homebodies+ [MP3 Download]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eHomebodies\u003c\/span\u003e - people who enjoy the peaceful quiet of \u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e. Someone with a natural resistance to social pressures and norms. The idea of searching for a sense of “\u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e.” The search for someone that makes you feel \"\u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e,” someone that represents safety and comfort. Someone who you can share and create a \u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e with. Feeling comfortable in your own skin.\u003c\/div\u003e\n\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHomebodies\u003c\/span\u003e\u003c\/i\u003e is an album that reflects 10 years of writing and experience. From playing in bands and spending a life on the road, to breakups and lost relationships, \u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHomebodies\u003c\/span\u003e\u003c\/i\u003e is an attempt to make sense of the world. This album is a personal quest to find a voice, to feel comfortable in my own skin as an artist. While this album focuses heavily on grooves that feel good, there is also a concerted effort to push beyond what people’s preconceptions of a jazz album are, and even more importantly, it's an attempt to push beyond the boundaries of who people think I am as an artist. I wanted to be sure to include some historical references in these works and as a jazz musician, I wanted to recognize the work of everyone who has devoted their lives to this music. Improvising is one of the purest forms of self expression and this album was graced by the presence of some of today’s most epic improvisers. Exploring this music was essentially a search for a \u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e body. The compositions are the \u003cspan data-mce-fragment=\"1\"\u003ehomebody\u003c\/span\u003e for the spontaneous moments of improvisation.\u003ci data-mce-fragment=\"1\"\u003e (Lee Pardini, 2020). \u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTracklist:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ewhatsoever \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMain Title \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eETA \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eHome\u003c\/span\u003e \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSibley \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne Day at a Time \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLou \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLV, NV \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMost Fun I’ve Had All Week \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRancho \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eETA (Trio, LA)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSibley (Quintet, NYC)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLV, NV (Solo, \u003cspan data-mce-fragment=\"1\"\u003eHome\u003c\/span\u003e)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne Day at a Time (Trio, LA)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRancho (Quintet, NYC)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Lee Pardini","offers":[{"title":"Default Title","offer_id":41740159615127,"sku":"digi-mp3-homebodies+","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Lee-Pardini---Home-Bodies-Deluxe-orange-FINALsmall.jpg?v=1644448452"},{"product_id":"homebodies-flac-download-1","title":"Homebodies+ [FLAC Download]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eHomebodies\u003c\/span\u003e - people who enjoy the peaceful quiet of \u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e. Someone with a natural resistance to social pressures and norms. The idea of searching for a sense of “\u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e.” The search for someone that makes you feel \"\u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e,” someone that represents safety and comfort. Someone who you can share and create a \u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e with. Feeling comfortable in your own skin.\u003c\/div\u003e\n\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHomebodies\u003c\/span\u003e\u003c\/i\u003e is an album that reflects 10 years of writing and experience. From playing in bands and spending a life on the road, to breakups and lost relationships, \u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHomebodies\u003c\/span\u003e\u003c\/i\u003e is an attempt to make sense of the world. This album is a personal quest to find a voice, to feel comfortable in my own skin as an artist. While this album focuses heavily on grooves that feel good, there is also a concerted effort to push beyond what people’s preconceptions of a jazz album are, and even more importantly, it's an attempt to push beyond the boundaries of who people think I am as an artist. I wanted to be sure to include some historical references in these works and as a jazz musician, I wanted to recognize the work of everyone who has devoted their lives to this music. Improvising is one of the purest forms of self expression and this album was graced by the presence of some of today’s most epic improvisers. Exploring this music was essentially a search for a \u003cspan data-mce-fragment=\"1\"\u003ehome\u003c\/span\u003e body. The compositions are the \u003cspan data-mce-fragment=\"1\"\u003ehomebody\u003c\/span\u003e for the spontaneous moments of improvisation.\u003ci data-mce-fragment=\"1\"\u003e (Lee Pardini, 2020). \u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTracklist:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ewhatsoever \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMain Title \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eETA \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eHome\u003c\/span\u003e \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSibley \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne Day at a Time \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLou \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLV, NV \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMost Fun I’ve Had All Week \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRancho \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eETA (Trio, LA)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSibley (Quintet, NYC)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLV, NV (Solo, \u003cspan data-mce-fragment=\"1\"\u003eHome\u003c\/span\u003e)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne Day at a Time (Trio, LA)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRancho (Quintet, NYC)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Lee Pardini","offers":[{"title":"Default Title","offer_id":41740161876119,"sku":"digi-flac-homebodies+","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/Lee-Pardini---Home-Bodies-Deluxe-orange-FINALsmall_985d3dae-055c-4977-b526-3a75d01fc4e7.jpg?v=1644448684"},{"product_id":"becca-stevens-attacca-quartet-cd","title":"Becca Stevens | Attacca Quartet [CD]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNearly a decade ago, singer, songwriter, multi-instrumentalist, and 2021 GRAMMY® nominee Becca Stevens was approached with an intriguing concept: to reimagine a selection of her songs with string arrangements for a performance at San Diego’s illustrious Mainly Mozart Festival. Little did she know, it would be a life-changing opportunity—introducing her to her future husband, the acclaimed violist, composer, and member of the GRAMMY® Award-winning Attacca Quartet, Nathan Schram. The concert would also inspire a career-spanning passion project—one which blossomed alongside her relationship with Nathan and resulted in the couple’s first collaborative album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet.\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the recording of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, much has transpired. Among the highlights are Becca’s first GRAMMY® nod (2020’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWONDERBLOOM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and Attacca’s first GRAMMY® win (2019’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOrange\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e). Nathan also released a solo debut, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOak and the Ghost\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, while Becca earned praise for her latest record, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens \u0026amp; The Secret Trio\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The quartet, meanwhile, continues to push their creative boundaries—particularly with their latest record, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReal Life\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which finds them further exploring the work of electronic artists.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow, with the release of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e the couple embarks on a new journey together. Yet the album also closes a chapter for Becca. Rarely does an artist get the opportunity to examine—and reimagine—their work quite as intensely as Becca has over the past decade. “It’s very satisfying to see that a song still works, years after writing it,” she reflects. “I think that growth is a beautiful aspect of this project. We are realizing these songs in a different light and bringing a brand-new energy to them.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“But I’m also passionate about this collaboration because it’s my love story with my husband,” she adds. “To stand on stage with Nathan and Attacca and to play songs that span the entirety of my recorded career is an incredibly fulfilling experience.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cu\u003e\u003cb\u003eTrack List:\u003c\/b\u003e\u003c\/u\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eBe Still (arr. Liam Robinson) \u003c\/li\u003e\n\u003cli\u003eReminder (arr. Bill Stevens) \u003c\/li\u003e\n\u003cli\u003eCanyon Dust (arr. Stephen Prutsman) \u003c\/li\u003e\n\u003cli\u003eFor You the Night Is Still (arr. Becca Stevens)\u003c\/li\u003e\n\u003cli\u003eNo More (arr. William Stevens) \u003c\/li\u003e\n\u003cli\u003eVenus (arr. Michael Ippolito)\u003c\/li\u003e\n\u003cli\u003eI Am No Artist (arr. Nathan Schram)\u003c\/li\u003e\n\u003cli\u003e2 + 2 = 5 (arr. Nathan Schram) \u003c\/li\u003e\n\u003cli\u003e45 Bucks (arr. William Stevens) \u003c\/li\u003e\n\u003cli\u003e105 (arr. William Stevens) \u003c\/li\u003e\n\u003cli\u003eKlapp Klapp (arr. Nathan Schram) \u003c\/li\u003e\n\u003cli\u003eWe Knew Love (arr. Bill Stevens) \u003c\/li\u003e\n\u003cli\u003eTillery (arr. Timo Andres) \u003c\/li\u003e\n\u003cli\u003eTraveler's Blessing (arr. Stephen Prutsman)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Becca Stevens, Attacca Quartet","offers":[{"title":"Default Title","offer_id":41788315828375,"sku":"0017-03230","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/BeccaStevensAttaccaQuartetsmall.jpg?v=1645738295"},{"product_id":"becca-stevens-attacca-quartet-mp3-download","title":"Becca Stevens | Attacca Quartet [MP3 Download]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNearly a decade ago, singer, songwriter, multi-instrumentalist, and 2021 GRAMMY® nominee Becca Stevens was approached with an intriguing concept: to reimagine a selection of her songs with string arrangements for a performance at San Diego’s illustrious Mainly Mozart Festival. Little did she know, it would be a life-changing opportunity—introducing her to her future husband, the acclaimed violist, composer, and member of the GRAMMY® Award-winning Attacca Quartet, Nathan Schram. The concert would also inspire a career-spanning passion project—one which blossomed alongside her relationship with Nathan and resulted in the couple’s first collaborative album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet.\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan data-mce-fragment=\"1\"\u003eSince the recording of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, much has transpired. Among the highlights are Becca’s first GRAMMY® nod (2020’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWONDERBLOOM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and Attacca’s first GRAMMY® win (2019’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOrange\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e). Nathan also released a solo debut, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOak and the Ghost\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, while Becca earned praise for her latest record, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens \u0026amp; The Secret Trio\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The quartet, meanwhile, continues to push their creative boundaries—particularly with their latest record, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReal Life\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which finds them further exploring the work of electronic artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow, with the release of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e the couple embarks on a new journey together. Yet the album also closes a chapter for Becca. Rarely does an artist get the opportunity to examine—and reimagine—their work quite as intensely as Becca has over the past decade. “It’s very satisfying to see that a song still works, years after writing it,” she reflects. “I think that growth is a beautiful aspect of this project. We are realizing these songs in a different light and bringing a brand-new energy to them.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“But I’m also passionate about this collaboration because it’s my love story with my husband,” she adds. “To stand on stage with Nathan and Attacca and to play songs that span the entirety of my recorded career is an incredibly fulfilling experience.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cu\u003e\u003cb\u003eTrack List:\u003c\/b\u003e\u003c\/u\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eBe Still (arr. Liam Robinson) \u003c\/li\u003e\n\u003cli\u003eReminder (arr. Bill Stevens) \u003c\/li\u003e\n\u003cli\u003eCanyon Dust (arr. Stephen Prutsman) \u003c\/li\u003e\n\u003cli\u003eFor You the Night Is Still (arr. Becca Stevens)\u003c\/li\u003e\n\u003cli\u003eNo More (arr. William Stevens) \u003c\/li\u003e\n\u003cli\u003eVenus (arr. Michael Ippolito)\u003c\/li\u003e\n\u003cli\u003eI Am No Artist (arr. Nathan Schram)\u003c\/li\u003e\n\u003cli\u003e2 + 2 = 5 (arr. Nathan Schram) \u003c\/li\u003e\n\u003cli\u003e45 Bucks (arr. William Stevens) \u003c\/li\u003e\n\u003cli\u003e105 (arr. William Stevens) \u003c\/li\u003e\n\u003cli\u003eKlapp Klapp (arr. Nathan Schram) \u003c\/li\u003e\n\u003cli\u003eWe Knew Love (arr. Bill Stevens) \u003c\/li\u003e\n\u003cli\u003eTillery (arr. Timo Andres) \u003c\/li\u003e\n\u003cli\u003eTraveler's Blessing (arr. Stephen Prutsman)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Becca Stevens, Attacca Quartet","offers":[{"title":"Default Title","offer_id":41788418850967,"sku":"digi-mp3-stevens-attacca","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/6134\/products\/BeccaStevensAttaccaQuartetsmall_9707ccc1-e884-4df6-98d5-62ac6c4ed11b.jpg?v=1645739607"},{"product_id":"becca-stevens-attacca-quartet-flac-download","title":"Becca Stevens | Attacca Quartet [FLAC Download]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNearly a decade ago, singer, songwriter, multi-instrumentalist, and 2021 GRAMMY® nominee Becca Stevens was approached with an intriguing concept: to reimagine a selection of her songs with string arrangements for a performance at San Diego’s illustrious Mainly Mozart Festival. Little did she know, it would be a life-changing opportunity—introducing her to her future husband, the acclaimed violist, composer, and member of the GRAMMY® Award-winning Attacca Quartet, Nathan Schram. The concert would also inspire a career-spanning passion project—one which blossomed alongside her relationship with Nathan and resulted in the couple’s first collaborative album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet.\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the recording of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, much has transpired. Among the highlights are Becca’s first GRAMMY® nod (2020’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWONDERBLOOM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and Attacca’s first GRAMMY® win (2019’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOrange\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e). Nathan also released a solo debut, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOak and the Ghost\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, while Becca earned praise for her latest record, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens \u0026amp; The Secret Trio\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The quartet, meanwhile, continues to push their creative boundaries—particularly with their latest record, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReal Life\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which finds them further exploring the work of electronic artists.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow, with the release of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBecca Stevens | Attacca Quartet,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e the couple embarks on a new journey together. Yet the album also closes a chapter for Becca. Rarely does an artist get the opportunity to examine—and reimagine—their work quite as intensely as Becca has over the past decade. “It’s very satisfying to see that a song still works, years after writing it,” she reflects. “I think that growth is a beautiful aspect of this project. We are realizing these songs in a different light and bringing a brand-new energy to them.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“But I’m also passionate about this collaboration because it’s my love story with my husband,” she adds. “To stand on stage with Nathan and Attacca and to play songs that span the entirety of my recorded career is an incredibly fulfilling experience.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cu\u003e\u003cb\u003eTrack List:\u003c\/b\u003e\u003c\/u\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eBe Still (arr. Liam Robinson) \u003c\/li\u003e\n\u003cli\u003eReminder (arr. Bill Stevens) \u003c\/li\u003e\n\u003cli\u003eCanyon Dust (arr. Stephen Prutsman) \u003c\/li\u003e\n\u003cli\u003eFor You the Night Is Still (arr. 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